Depressing, yet true.

(Source: annperkins)

redscharlach:

Otters Who Look Like Benedict Cumberbatch: A Visual Examination.

All otters are from The Daily Otter, for all your ottery Tumblr needs!

“There are a lot of people, who don’t understand what staging is. It’s the most important thing directors do, and not a lot of people realize that. Not a lot of people know why they like Steven Spielberg. They don’t know the difference between having their eye directed, and having coverage edited for them. But the truth is,” Fincher continues, “film is too expensive to teach. You can’t teach how to make Hollywood movies. What you can do is make people look at the language of cinema. Why do we need a close-up? I got a master, I got an over, I got close-up – what’s the best, what’s the most effective way to move people who are watching it, who don’t know what this person is or don’t know what the circumstances are; how do I engage them? And you can do that anywhere. You don’t have to go to London, you don’t have to go to Pinewood, you don’t have to go to SC. Creativity happens on the fringe. It does. It’s too bad. But you can get there. Start in the fringe, meet those people, write your scripts.


I always wanted to give a lecture at filmschools. You go in and you see all these fresh faces, and you say: ‘You! Stand up, tell me your story. Tell me what your film is going to be about.’ And they start, and you go: ‘Shut up and sit the fuck down!’ And if they do, you go: ‘You’re not ready.’ Because the film business is filled with shut-up and sit-the-fuck-down. You’ve got to be able to tell your story in spite of sit-down and shut-the-fuck-up. If you are going to let something like that derail you, what hope do you have against transportation department? What hope do you have against development executives?”

David Fincher on the nature of learning/teaching film during an interview for FincherFanatic (via frametoframe)

(Source: groovymutants)

This is my life.

(Source: cellphone4et)

Depression is humiliating. It turns intelligent, kind people into zombies who can’t wash a dish or change their socks. It affects the ability to think clearly, to feel anything, to ascribe value to your children, your lifelong passions, your relative good fortune. It scoops out your normal healthy ability to cope with bad days and bad news, and replaces it with an unrecognizable sludge that finds no pleasure, no delight, no point in anything outside of bed. You alienate your friends because you can’t comport yourself socially, you risk your job because you can’t concentrate, you live in moderate squalor because you have no energy to stand up, let alone take out the garbage. You become pathetic and you know it. And you have no capacity to stop the downward plunge. You have no perspective, no emotional reserves, no faith that it will get better. So you feel guilty and ashamed of your inability to deal with life like a regular human, which exacerbates the depression and the isolation. If you’ve never been depressed, thank your lucky stars and back off the folks who take a pill so they can make eye contact with the grocery store cashier. No one on earth would choose the nightmare of depression over an averagely turbulent normal life.
It’s not an incapacity to cope with day to day living in the modern world. It’s an incapacity to function. At all. If you and your loved ones have been spared, every blessing to you. If depression has taken root in you or your loved ones, every blessing to you, too. No one chooses it. No one deserves it. It runs in families, it ruins families. You cannot imagine what it takes to feign normalcy, to show up to work, to make a dentist appointment, to pay bills, to walk your dog, to return library books on time, to keep enough toilet paper on hand, when you are exerting most of your capacity on trying not to kill yourself. Depression is real. Just because you’ve never had it doesn’t make it imaginary. Compassion is also real. And a depressed person may cling desperately to it until they are out of the woods and they may remember your compassion for the rest of their lives as a force greater than their depression. Have a heart. Judge not lest ye be judged.

(via porygons)

I cried.

(Source: sherunsfromdarkness)

sirobe:

Ballerina Aesha Ash was recommended to leave the corps of the New York City Ballet because the master in chief basically said she had accomplished all she could as a Black dancer. After the decision to leave, Ash joined Alonzo King’s Lines Ballet, a company based in San Francisco, where she soared. Ash has been featured in Pointe Magazine, Dance Magazine, New York Times, and San Francisco Chronicle. She also started a blog, The Black Swan Diaries, for all those following in her footsteps to learn from her story as well as other Black dancers that share their experiences.

If you recognize her slender and poise physique, it’s because she was also the dance double for Zoe Saldana in Center Stage.

cumberqueen:

DEAD. 

(Source: piparminttuperhonen)

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